ALEX CORTEX has been at the forefront of techno for 20 years. With five albums and uncountable 12″es on labels such as Source Records, Klang Elektronik, Kanzleramt, MNX, Pomelo and many others he has had an influence in electronic music history much more than many. With four releases on KILLEKILL and KILLEKILL HOUSE TRAX recently as well as on SKUDGE records his career has taken up a lot of pace recently.
Watch out for more to come from this outstanding artist.

DJ FLUSH is the main man behind the label Killekill. As a dj as well as a label owner and promoter he has been exploring and pushing the borders of electronic music for over 20 years now. Typically built on a solid base of acid, jacking techno and Chicago house, his dj sets are dense and intense and he manages to hold the thin line between being there for his audience to make them rave – and educating as an innovator.

FURFRIEND is everything you never dared to sex about. From the depths of warm and tight cavities come the two fuck pets DINGO TUSH (vocals) and DAS UBERDOG (production) be it the pleasures of gay circuit life or the sweet feel of sheep in their best years – FURFRIEND covers it all and more.
The techno duo doesn´t know their origin exactly – their memories go back to dark but also jolly times at an animal shelter in antwerp where they were kept until MUM, their recently deceased fostermother picked them up, to have them join her 21 other pets. It was a hard childhood, not even knowing what type of mammal you were, but the toughest part was being relentlessly used by ´MUM´as a sex slave, having to fulfill all her sexual desires in order to get a bit of food.
Then the confusion that arose when MUM was killed having sex with her oldest aquisition ‘Bob’ the german shepherd who couldn´t take it anymore and ate her face – the poor guy was put down right in front of their face. Now, being freed from the clutch of MUM Furfriend look into the bright future of being popstars, knowing this is what they were born to do.
DAS UBERDOG has been listening to MUMs records on headphones ever since he found the power switch for the stereo – it was clear back then he would become an awesome producer. DINGO TUSH, the singer of the duo, howled the melody of `my favourite things´when MUM was watching her favourite show: ‘The sound of music‘ – they were clearly bound to become a music production team. It just had to happen eventually.
These times are long past now, but they have left a mark on their souls which they heartbreakingly sing about in songs like ‘GECK’ ‘FIST FUCK’ or ‘SHEPHERD’ which relates to the tough life, herding sheep just after MUM had passed away.
Originally based in Antwerp the duo has now made a move for berlin.
“Antwerp was just not the right place for us. As much perversion as there is in belgium, it is the people of Berlin we love for the open sexual deviance present all over Berlin We think this is the right breeding ground (haha) for our art.” says DINGO TUSH, the band´s cockslinging singer. Techno just has a different meaning here – everybody does it, spit in a corner, and you’ll hit a dj! This is perfect for us because it shows what people really want. and we are here to give it to them.” adds DAS UBERDOG, the musical genius behind the furfriend productions.

A tough-looking guy with a fine sense for electronic music. Raffinesse meets power; Hanno is interested in everything; maybe not in collecting Smurf-figures or satinshirts, but he likes to get his inspiration from travelling the earth, photography, meeting people, politics, all kinds of arts and aesthetics, even of turkish wrestling… Soundwise he locates himself somewhere between wonky Techno, House, trashy and clean Electro, Breakbeats, Industrial/Metal, Death Metal, Dubstep, Rebetico, Gypsy Music and so on; which seems to be a place to be taken which can be quite interesting for the listeners. He started Djing in 1996 after playing the guitar in an industrial band; taking the leap from there to the club shows his versatillity and his open mind for music – as long as it holds something special for him, he has an open ear for it. He doesn’t want to bring the „newest shit” all the time – this would be narrowing he thinks; why always play the few really good new tracks when you can hark back on a huge amount of excellent releases of the past thirty years, which contain so many workpieces that people do and don’t know? It’s all about the selection of the Dj and about how you „bring” it to the audience; and Hanno tries to bring everything in electronic-related music together to a stirring whole, to that people in the club can be going crazy on – he likes to compare Djing with having a ever and ever again interesting sexual being-together of the Dj and the crowd; you got to be imaginative to be a good lover… With his productions – even a gold record among them for his appearence on a release of „Zweiraumwohung” – he tries to keep it functionable; clubsounds live on the bassgroove beyond them, on the way the sounds and the groove is put together; his work is, even when quite hard stuff,is always precise and reflected. When Djing as well as when producing, surprising somebody is more important to him than giving a promise for this or that; this makes Hanno an always fresh and interesting musicact that aerates the lineup in every venue he plays. Big heart, friendly lifestyle brought together with sense for partying hard and opening your mind in music!

Originally from Poland Monya has been based in Berlin for over a decade now. With her uncompromising live sets she built herself a reputation quickly and has been playing since then all over the world.
In 2013 she released her first album and in 2014 she started her own label ‚Corresponding Positions‘, where she releases her own music but also constantly supports new faces to the scene by putting out their fresh and powerful sounds. For her own productions it’s obvious that her biggest passion is industrial techno, although she never sticks to one particular style, but loves to try out different approaches and experiment with sounds. With her enthusiasm for electronic music she continuously learns and grows every day. Support for her music came from producers like Perc, Bas Mooy, Rebekah, Steve Stoll, Jeroen Search, Mike Parker and many more. Stay tuned!

SEBASTIAN KOEKOW stands for techno in its purest form. Not only is he part of the more than legendary video crew The29NovFilms, which is responsible for over 5000 videos accompanying tracks of more or less anybody with a standing in the techno scene, but also is he a dj who has developped a reputation in Berlin’s underground with his raw and intense techno sets which are heavily influenced by his love for industrial and EBM.

The 29novfilms is a duo of video artists, that has been making videos for almost every single relevant techno artist releasing in the last years.
They work with found footage mostly and are known for their extraordinary sensitivity in what to pick for a certain sound and how to use it. They are an instant part of all Killekill work regarding labels and events and can be booked as visual artists.

Tigerhead’s musical cognition was long and comprehensive, started almost fifteen years ago in her Czech little hometown where she was at first influenced by a massive punk-avandgarde movement spreading all over her country. With a dash of temperament it took no long to get under this scene’s skin, explore all the impulses and create her own musical projects. First were in her early teenage period, where she’s a singer, songwriter and an occasional guitarist, inspired by several industrial bands. Further she continues over Dada-influenced performance shows as she’s a student of painting and contemporary art. By the time she tries to unite sound with a visual art. The connection with music and fine arts was always her main subject.
Through her focus on avantgarde she dives into a lot of experimental bands mainly created in Berlin as a protest against the political situation. As the regime was a long-lasting issue afflicting her country, that is among many other mainly artistic reasons were her strong connection to the German capital stems from.
At the year of 2010 through her main musical inspirations and experiences she collected, her biggest passion was discovered and aimed to an electronic music. There was a little step to get devoured by collecting records, especially of an old detroit techno and acid. The need to speak through artistic language led her to create her first electronic music compositions, using a lot of industrial sounds as an early influence. She also adds and uses her voice as an alternative instrument. In between she’s expanding her vinyl collection with many old techno treasures and learning the art of mixing. This gets her her first gigs in important clubs all over her homeland. This all was just a small step before moving to Berlin in 2012.
There she has all the initiative and freedom to explore the electronic music scene and history and slowly become a part of it.
Her sets and musical expression is known for wildness and audacity also it’s rawness, sharp and no fear attitude. They’re surprising as much as Tigerhead’s personality is.
All this get’s her to play in Berlin’s and internationally most influential techno clubs such as //:about blank, Arena or Griessmuehle.
It is the year 2017, in her early twenties, already known as a strong persona who exactly knows where to lead musically she fully focuses on a music production of her first EP.
She also joins Berlin based established KILLEKILL which exactly defines her musically.
Tereza R. aka Tigerhead is someone who’s going to provide you through the night with unexpected, who’s gonna let you flow on a smooth mellow minimal sounds when suddenly intervene with sharp acid, which stays in your head and spread around long time after the show. She simply won’t let you calm.