ALEX CORTEX has been at the forefront of techno for 20 years. With five albums and uncountable 12″es on labels such as Source Records, Klang Elektronik, Kanzleramt, MNX, Pomelo and many others he has had an influence in electronic music history much more than many. With four releases on KILLEKILL and KILLEKILL HOUSE TRAX recently as well as on SKUDGE records his career has taken up a lot of pace recently.
Watch out for more to come from this outstanding artist.

From deep to dark. From past to future. All is about music.
It all started in 2000 and since then this mysterious ladylike lifeform has dedicated herself to learning & analyzing sound in all of its forms: Obsessive Analogy, Microloops coming from any source (even including fridge’s plug), Dubby, Dark Disco, Raw Techno, IDM, endless Miles Davis songs, Jakbeat, Analogic Deep Textures, Sexual Dark Experimental Hybrids,Cosmic rhythm and beautiful Aquatic Dark Electro tracks, Psicodelia.
In this small biography you’ll read about some of unforgettable moments this lady went through her life: those timid and young sets at Ocio (Murcia) and many other city clubs in Spain while touching down on uncountable raves and nights across northern Italy having first contact with german scene through the homoelektrik group in Berlin and Leipzig, Moss club (Murcia), Fusion Festival (Lärz)…
In 2006 she collaborated with the Overflow Collective that was not only involved in parties but in theatre and music workshops dealing with technology which then opened doors she became a part of Montreal’s electronic scene and Mutek festival.she lived during 2007, as resident deejay at Laïka venue and participating in different clubbing events, like Piknik Electronik, sharing billed events with many famous European and North American artists.
Once back in Spain (Valencia), she took up her career again as part of the Overflow team, where she began showing her exquisite and authentic musical selection through plenty of clubs around the country and also abroad.
In 2008 Alienata was also responsible for musical direction of Overflow records label, where she was able to expand her good and expert musical taste.
In late 2011 she decided to move to Berlin, playing regularly in clubs like ://about blank, Tresor and the infamous Killekill nights at Suicide Circus. Since then, she has been playing in many cities around the world: Chicago, NYC, Denton, Paris, Athens, Warsaw, Amsterdam…
She is currently working on a musical project called Kat Channel with Snuffo (50% of Snuff Crew).

In the last three years, Altstadt Echo has accomplished what most up-and-coming artists only talk about: a handful of vinyl releases, multiple festival performances, and the curation of an event series that has become a fixture of local underground culture. His musical signature combines the lamenting atmospheres of Detroit’s deeper techno styles with the forward-thinking and textural percussion synonymous with UK artists of the past decade. Drawing from sources of inspiration ranging from minimalist sculpture to Absurdist literature, Altstadt Echo imbues his music with a sense of somber reflection on the lack of inherent meaning behind contemporary life. He’s been remixed by electronic music leaders across the world – from Terrence Dixon and Erika in Detroit to Abdulla Rashim and Varg in Europe. He’s been called „Detroit techno’s new guard“ by Resident Advisor, „the avant-garde element to Detroit Techno“ by SPIN Magazine, and „one of Detroit’s fastest rising electronic music names“ by the Detroit Free Press. His tracks have been featured on Regis mixtapes, written-up by Resident Advisor, and sold out at Hardwax.

DJ FLUSH is the main man behind the label Killekill. As a dj as well as a label owner and promoter he has been exploring and pushing the borders of electronic music for over 20 years now. Typically built on a solid base of acid, jacking techno and Chicago house, his dj sets are dense and intense and he manages to hold the thin line between being there for his audience to make them rave – and educating as an innovator.

FURFRIEND is everything you never dared to sex about. From the depths of warm and tight cavities come the two fuck pets DINGO TUSH (vocals) and DAS UBERDOG (production) be it the pleasures of gay circuit life or the sweet feel of sheep in their best years – FURFRIEND covers it all and more.
The techno duo doesn´t know their origin exactly – their memories go back to dark but also jolly times at an animal shelter in antwerp where they were kept until MUM, their recently deceased fostermother picked them up, to have them join her 21 other pets. It was a hard childhood, not even knowing what type of mammal you were, but the toughest part was being relentlessly used by ´MUM´as a sex slave, having to fulfill all her sexual desires in order to get a bit of food.
Then the confusion that arose when MUM was killed having sex with her oldest aquisition ‘Bob’ the german shepherd who couldn´t take it anymore and ate her face – the poor guy was put down right in front of their face. Now, being freed from the clutch of MUM Furfriend look into the bright future of being popstars, knowing this is what they were born to do.
DAS UBERDOG has been listening to MUMs records on headphones ever since he found the power switch for the stereo – it was clear back then he would become an awesome producer. DINGO TUSH, the singer of the duo, howled the melody of `my favourite things´when MUM was watching her favourite show: ‘The sound of music‘ – they were clearly bound to become a music production team. It just had to happen eventually.
These times are long past now, but they have left a mark on their souls which they heartbreakingly sing about in songs like ‘GECK’ ‘FIST FUCK’ or ‘SHEPHERD’ which relates to the tough life, herding sheep just after MUM had passed away.
Originally based in Antwerp the duo has now made a move for berlin.
“Antwerp was just not the right place for us. As much perversion as there is in belgium, it is the people of Berlin we love for the open sexual deviance present all over Berlin We think this is the right breeding ground (haha) for our art.” says DINGO TUSH, the band´s cockslinging singer. Techno just has a different meaning here – everybody does it, spit in a corner, and you’ll hit a dj! This is perfect for us because it shows what people really want. and we are here to give it to them.” adds DAS UBERDOG, the musical genius behind the furfriend productions.

A tough-looking guy with a fine sense for electronic music. Raffinesse meets power; Hanno is interested in everything; maybe not in collecting Smurf-figures or satinshirts, but he likes to get his inspiration from travelling the earth, photography, meeting people, politics, all kinds of arts and aesthetics, even of turkish wrestling… Soundwise he locates himself somewhere between wonky Techno, House, trashy and clean Electro, Breakbeats, Industrial/Metal, Death Metal, Dubstep, Rebetico, Gypsy Music and so on; which seems to be a place to be taken which can be quite interesting for the listeners. He started Djing in 1996 after playing the guitar in an industrial band; taking the leap from there to the club shows his versatillity and his open mind for music – as long as it holds something special for him, he has an open ear for it. He doesn’t want to bring the „newest shit” all the time – this would be narrowing he thinks; why always play the few really good new tracks when you can hark back on a huge amount of excellent releases of the past thirty years, which contain so many workpieces that people do and don’t know? It’s all about the selection of the Dj and about how you „bring” it to the audience; and Hanno tries to bring everything in electronic-related music together to a stirring whole, to that people in the club can be going crazy on – he likes to compare Djing with having a ever and ever again interesting sexual being-together of the Dj and the crowd; you got to be imaginative to be a good lover… With his productions – even a gold record among them for his appearence on a release of „Zweiraumwohung” – he tries to keep it functionable; clubsounds live on the bassgroove beyond them, on the way the sounds and the groove is put together; his work is, even when quite hard stuff,is always precise and reflected. When Djing as well as when producing, surprising somebody is more important to him than giving a promise for this or that; this makes Hanno an always fresh and interesting musicact that aerates the lineup in every venue he plays. Big heart, friendly lifestyle brought together with sense for partying hard and opening your mind in music!

Being a hip hop-dancer since the age of ten, Dario Scarano alias KUNO got into djing at the age of sixteen and started producing music himself at the very young age of 18. Having started with mostly UK-bass music, he is now a badass dj with a very distinctive style somewhere between acid,
techno & electro.
Leon Wolter alias SPACEINVASION has got a punk and hardcore background and started to deal with electronic music in 2012. His sound as a dj and producer still bears that aesthetics and is driven by noisy lo-fi productions, dirty acid synthesizers and gritty electro. He is also co-founder of the music and art collective Abyss, which is showcasing djs, live acts, light- & video-artists on a regular base at ://about blank in Berlin.
In 2015 these two close friends decided they needed a label for their productions and founded the label TERMINAL OPERATIONS. In 2016 they joined the Killekill roster.

Originally from Poland Monya has been based in Berlin for over a decade now. With her uncompromising live sets she built herself a reputation quickly and has been playing since then all over the world.
In 2013 she released her first album and in 2014 she started her own label ‚Corresponding Positions‘, where she releases her own music but also constantly supports new faces to the scene by putting out their fresh and powerful sounds. For her own productions it’s obvious that her biggest passion is industrial techno, although she never sticks to one particular style, but loves to try out different approaches and experiment with sounds. With her enthusiasm for electronic music she continuously learns and grows every day. Support for her music came from producers like Perc, Bas Mooy, Rebekah, Steve Stoll, Jeroen Search, Mike Parker and many more. Stay tuned!

SEBASTIAN KOEKOW stands for techno in its purest form. Not only is he part of the more than legendary video crew The29NovFilms, which is responsible for over 5000 videos accompanying tracks of more or less anybody with a standing in the techno scene, but also is he a dj who has developped a reputation in Berlin’s underground with his raw and intense techno sets which are heavily influenced by his love for industrial and EBM.

The 29novfilms is a duo of video artists, that has been making videos for almost every single relevant techno artist releasing in the last years.
They work with found footage mostly and are known for their extraordinary sensitivity in what to pick for a certain sound and how to use it. They are an instant part of all Killekill work regarding labels and events and can be booked as visual artists.

The Brvtalist is a curator, promoter and DJ with a focus on mutated metropolitan culture from around the globe. Since 2013, the platform has featured, collaborated and/or performed with a variety of artists across multiple disciplines including Julius (JP), Void Vision, Zanias, Violet Poison, Ancient Methods, Drab Majesty, Katie Gallagher, Obscur, Headless Horseman, Oake, December and countless others. With over 10 years of experience as a DJ, he has played in Los Angeles, Miami, Berlin, London, Madrid and beyond. Further, through the website of the same name, as well as the renown podcast series, New Brvtalism, The Brvtalist aims to expose music, fashion, art and more that all share the same dark, romantic allure.

Tigerhead’s musical cognition was long and comprehensive, started almost fifteen years ago in her Czech little hometown where she was at first influenced by a massive punk-avandgarde movement spreading all over her country. With a dash of temperament it took no long to get under this scene’s skin, explore all the impulses and create her own musical projects. First were in her early teenage period, where she’s a singer, songwriter and an occasional guitarist, inspired by several industrial bands. Further she continues over Dada-influenced performance shows as she’s a student of painting and contemporary art. By the time she tries to unite sound with a visual art. The connection with music and fine arts was always her main subject.
Through her focus on avantgarde she dives into a lot of experimental bands mainly created in Berlin as a protest against the political situation. As the regime was a long-lasting issue afflicting her country, that is among many other mainly artistic reasons were her strong connection to the German capital stems from.
At the year of 2010 through her main musical inspirations and experiences she collected, her biggest passion was discovered and aimed to an electronic music. There was a little step to get devoured by collecting records, especially of an old detroit techno and acid. The need to speak through artistic language led her to create her first electronic music compositions, using a lot of industrial sounds as an early influence. She also adds and uses her voice as an alternative instrument. In between she’s expanding her vinyl collection with many old techno treasures and learning the art of mixing. This gets her her first gigs in important clubs all over her homeland. This all was just a small step before moving to Berlin in 2012.
There she has all the initiative and freedom to explore the electronic music scene and history and slowly become a part of it.
Her sets and musical expression is known for wildness and audacity also it’s rawness, sharp and no fear attitude. They’re surprising as much as Tigerhead’s personality is.
All this get’s her to play in Berlin’s and internationally most influential techno clubs such as //:about blank, Arena or Griessmuehle.
It is the year 2017, in her early twenties, already known as a strong persona who exactly knows where to lead musically she fully focuses on a music production of her first EP.
She also joins Berlin based established KILLEKILL which exactly defines her musically.
Tereza R. aka Tigerhead is someone who’s going to provide you through the night with unexpected, who’s gonna let you flow on a smooth mellow minimal sounds when suddenly intervene with sharp acid, which stays in your head and spread around long time after the show. She simply won’t let you calm.

Years of Denial is a fetishistic ritual of contorted flesh and altered states, a feverish/ infectious paradox of primitivism and modernity. Years of Denial is the ghost in the machine. Their live Electro performances fuse SP 1200 beats and pulsating arpeggios with heavy electronics and engaging vocals. Barkosina’s voice ricochets against percussive snares as she intones ghetto poetry and dark romanticism. The duet operate on the dance floor without anesthetic creating an excursive electrifying shady atmosphere.
Both influenced by Isolationism, they also perform improvised cinematic Ambient sets with the use of modular synths and processed vocals. They draw upon the darker and profound stimulus of experimental music, creating an immersive and dramatic imaginative space.