Born in Southampton. on the south coast of England in the early 1970’s, Affie Yusuf has established himself as one of the most important and influential pioneers of UK acid, techno and house, with a career that spans three decades. Affie’s musical roots began in pirate radio – running RASE and ETERNITY radio stations as a teenager, DJing electro and house music on each respectively. From the very start, he was enamoured with the sound of the Acid House movement coming out of London and Manchester, and in 1990 he acquired TB303 and an Amiga computer running Octamed.

The prolific Affie released several EPs on Force Inc. and founded a new label, 909 Perversions, with DJ North (RIP) to continue his Acidwaves series of 12″s.  He also released an EP of acid on Berlin Records in 1994, and then three further 12″s on Chemical Records. In 1996, Affie released his first full album ‚The Volume‘ on Superstition Records, embracing a more stripped-back techno mentality, after having released a similar styled EP under the
alias EF 3.A the year previously. Later that year, Affie Yusuf and Trevor Loveys began House of 909 as a label and production team, and alongside Basement Jaxx were regarded as one of the leading parterships in the UK deep house scene. They released a number of EPs and albums as House of 909. These were extremely successful, and picked up to be re-released by Pagan Records.

Throughout the rest of the 90’s Affie continued to release techno, house, and acid under numerous monkers, including LHB, Traffic, Big Screen, The Parkwalker, and more.

In 2000, Yusuf & Loveys also released a deep proto-tech house album on Pagan under the alias Traffik, which laid down the style that modern tech-house has developed from. Affie left the music scene for several years in the early 2000’s due to health reasons, but returned in 2008 with the Machines Don’t Care collective, alongside Sinden, Trevor Loveys, Toddla T, Fake Blood, Detboi, Herve, and Drop The Lime.
At this time, he and Trevor also launched a new label, Tragic Magic, writing and releasing party tunes.

In his third decade as a producer, working with family friend & long time collaborator Mr. C of the Shamen, Affie has returned to the sound he first loved: Acid. He is now resident DJ at London’s long running acid house retrospective clubnight ‚I Love Acid‘, contributing to their charity fundraiser album Acid Relief in 2011 alongside LFO, Ben Sims, Luke Vibert, Slipmatt, and Mark Archer of Altern 8.

Affie has also established himself as a premier in-demand engineer and studio producer. Affie has also produced & engineered for Mr.C, Terry Francis, Eddie Richards, Dave Mothersole, Gideon Jackson, Mastik Soul and countless others.

ALEX CORTEX has been at the forefront of techno for 20 years. With five albums and uncountable 12″es on labels such as Source Records, Klang Elektronik, Kanzleramt, MNX, Pomelo and many others he has had an influence in electronic music history much more than many. With four releases on KILLEKILL and KILLEKILL HOUSE TRAX recently as well as on SKUDGE records his career has taken up a lot of pace recently.

Watch out for more to come from this outstanding artist.

She is currently working on a musical project called Kat Channel with Snuffo (50% of Snuff Crew).

BILL YOUNGMAN is hell of a producer. Although mostly known for his techno releases on labels like Scandinavia,Tresor,Null etc., Bill has from day one been producing a lot of excellent other stuff. For example, he released one album of the finest electronica on DEPTH CHARGE’s DC Recordings under the alias AUDIBLE, several great EPs of electro on Serotonin and recently remixed JAMIE LIDELL in a rather techy dubstep style for Warp. Bill doesn’t follow trends and dislikes being categorized into one stale genre and so perfectly fits into the KILLEKILL master plan. Expect several EPs from him on KILLEKILL in the future that will further display the wide range of styles he is interested in and loves. With all this in mind, Bill will furthermore attempt to push the threshold of modern electronic music production.

Holy Island, an island off of the coast of North Wales is where Dez Williams begun spinning wax at an early age and now maintains his humble analogue / digital studio. Isolated from the marketing, fashion and pretentious attitudes that plague the music industry, Dez is free to express himself through his machines. Safe from this environment he is unconstrained and has no urge to conform with any ideal or aesthetic and thus his electronic music is pure self expression. A window into his soul.

His day job at an electronic components factory means that he is no stranger to repetition, rhythm and electronics. His sound is perhaps a product of his daily grind with boredom, escapism, events in his life and a long term passion for technology, horror and science fiction. Inspired by many of the classic Chicago / Detroit / electro / techno producers, like the finest, his sound is unique, uncompromising and unpredictable. His vision of techno is deep and futuristic with a heavy dose of funk. Dez’s passion for sound and the darker side of the human spirit compels him to create tracks on an almost daily basis and he sits on an incredibly vast archive of cassettes, mini-discs and CD’s of his work. Yet his reclusive nature dictates that his release schedule remains sparse. His tracks can range from driving techno, to melancholy and dark synthesizer orchestrations, ghostly deep listening, straight up electro cuts and beyond. Sometimes simple, sometimes complex, within his sounds are vast amounts of detail for the listener to decipher. Emotions transmitted through mathematics and code. Williams‘ tracks have found their way into the sets of DJ’s like Dave Clarke, Andrea Parker, Adam X, John Peel, Ellen Allien, Mike Dred and Rob Hall.

He has constantly retained an underground / cult fanbase. His debut LP ‚Elektronik Religion‘ for the SCSI label was hailed as „One of the very few truly great electro albums of the new century“. Dez remains true to the underground and simply creates for the love and need to do. The mark of a true artist. He continues to DJ and play live sets worldwide and has had releases on a variety of record labels including Bedouin, Earwiggle, Trust, Minimal Soul, Warmdata, Acruacree, Ai, Cheap, SCSI-AV, Blase, Voodoo, and Ben Sims‘ Native imprint.

DJ FLUSH is the main man behind KILLEKILL and has been a DJ for more then 15 years now. Pushing the borders of electronic music, his mixes cross over from chicago jack and booty tracks to electro, from distorted no future techno sounds to rather minimal funk – dirty, freaky and often with a big drop of acid. He played at more or less all relevant clubs in Berlin as well as internationally, as in Poland, France, Sweden, Netherlands, Belgium, Turkey, Mexico, Spain etc.

With his long experience and his diverse influences he brings together different sounds and styles and manages to hold the thin line between being there for his audience to make have a raving party – and educating as an innovator in the electronic music scene as a DJ and as a promoter.

FALLBEIL don’t reveal much about themselves apart from the fact that they’re located in Hamburg and their impressive list of gear (AKAI MPC 2000, ACIDLAB BASSLINE 3, ROLAND TR 707, DAVE SMITH EVOLVER, MFB 522, KORG EA-1, CASIO RZ-1, YAMAHA DD-10, ROLAND TR 626, MICROKORG, ROLAND CR-5000, DYNACORD) that reads like the futurist members of a huge electronic band. Their live performances create a haunted and distorted electro sound experience and are accompanied by tape recordings being looped and cut live into noisy sounds and other shit. They released on New York Haunted, Contort Yourself, Terminal Operations and Hafenschlamm. The future is theirs!

FURFRIEND is everything you never dared to sex about. From the depths of warm and tight cavities come the two fuck pets DINGO TUSH (vocals) and DAS UBERDOG (production) be it the pleasures of gay circuit life or the sweet feel of sheep in their best years – FURFRIEND covers it all and more.
The techno duo doesn´t know their origin exactly – their memories go back to dark but also jolly times at an animal shelter in antwerp where they were kept until MUM, their recently deceased fostermother picked them up, to have them join her 21 other pets. It was a hard childhood, not even knowing what type of mammal you were, but the toughest part was being relentlessly used by ´MUM´as a sex slave, having to fulfill all her sexual desires in order to get a bit of food.
Then the confusion that arose when MUM was killed having sex with her oldest aquisition ‘Bob’ the german shepherd who couldn´t take it anymore and ate her face – the poor guy was put down right in front of their face. Now, being freed from the clutch of MUM Furfriend look into the bright future of being popstars, knowing this is what they were born to do.
DAS UBERDOG has been listening to MUMs records on headphones ever since he found the power switch for the stereo – it was clear back then he would become an awesome producer. DINGO TUSH, the singer of the duo, howled the melody of `my favourite things´when MUM was watching her favourite show: ‘The sound of music‘ – they were clearly bound to become a music production team. It just had to happen eventually.
These times are long past now, but they have left a mark on their souls which they heartbreakingly sing about in songs like ‘GECK’ ‘FIST FUCK’ or ‘SHEPHERD’ which relates to the tough life, herding sheep just after MUM had passed away.
Originally based in Antwerp the duo has now made a move for berlin.
“Antwerp was just not the right place for us. As much perversion as there is in belgium, it is the people of Berlin we love for the open sexual deviance present all over Berlin We think this is the right breeding ground (haha) for our art.” says DINGO TUSH, the band´s cockslinging singer. Techno just has a different meaning here – everybody does it, spit in a corner, and you’ll hit a dj! This is perfect for us because it shows what people really want. and we are here to give it to them.” adds DAS UBERDOG, the musical genius behind the furfriend productions.

A tough-looking guy with a fine sense for electronic music. Raffinesse meets power; Hanno is interested in everything; maybe not in collecting Smurf-figures or satinshirts, but he likes to get his inspiration from travelling the earth, photography, meeting people, politics, all kinds of arts and aesthetics, even of turkish wrestling… Soundwise he locates himself somewhere between wonky Techno, House, trashy and clean Electro, Breakbeats, Industrial/Metal, Death Metal, Dubstep, Rebetico, Gypsy Music and so on; which seems to be a place to be taken which can be quite interesting for the listeners. He started Djing in 1996 after playing the guitar in an industrial band; taking the leap from there to the club shows his versatillity and his open mind for music – as long as it holds something special for him, he has an open ear for it. He doesn’t want to bring the „newest shit” all the time – this would be narrowing he thinks; why always play the few really good new tracks when you can hark back on a huge amount of excellent releases of the past thirty years, which contain so many workpieces that people do and don’t know? It’s all about the selection of the Dj and about how you „bring” it to the audience; and Hanno tries to bring everything in electronic-related music together to a stirring whole, to that people in the club can be going crazy on – he likes to compare Djing with having a ever and ever again interesting sexual being-together of the Dj and the crowd; you got to be imaginative to be a good lover… With his productions – even a gold record among them for his appearence on a release of „Zweiraumwohung” – he tries to keep it functionable; clubsounds live on the bassgroove beyond them, on the way the sounds and the groove is put together; his work is, even when quite hard stuff,is always precise and reflected. When Djing as well as when producing, surprising somebody is more important to him than giving a promise for this or that; this makes Hanno an always fresh and interesting musicact that aerates the lineup in every venue he plays. Big heart, friendly lifestyle brought together with sense for partying hard and opening your mind in music!

KAMIKAZE SPACE PROGRAMME is a true sonic renegade, a genuine musical experimenter. Somewhere between a classic Musique Concrète and modern electronic approach, KSP’s music is made up of myriad samples and found sounds from real world situations, it lends the stuff a very real texture and aesthetic that links it to the here and now, the everyday, in a very real way. The sound of an old truck, the hiss of a kettle or the clunking of a door are all fair game for KSP, who then takes his strange sound sources and weaves them into infectious sonic tapestries and intricate rhythms.

It all started for Chris Jarman in the mid-90s when he worked as an accomplished session musician. He first dipped his toe into the electronic world as a D&B producer at the turn of the century and was quickly signed to revered label Renegade Hardware and soon began playing around the world. Never one to sit still, Jarman wanted to foment an even more original sound and thus the Kamikaze Space Programme project was born.

Reeleased on labels like Mote Evolver, Bob Bhrama’s West Norwood Cassette Library, TRUST Mindcut KSP has been commissioned to remix artists such as Paul Mac, Aubrey, and Drums Of Death, always adding his own idiosyncratic take on things.

Being a hip hop-dancer since the age of ten, Dario Scarano alias KUNO got into djing at the age of sixteen and started producing music himself at the very young age of 18. Having started with mostly UK-bass music, he is now a badass dj with a very distinctive style somewhere between acid,
techno & electro.

Leon Wolter alias SPACEINVASION has got a punk and hardcore background and started to deal with electronic music in 2012. His sound as a dj and producer still bears that aesthetics and is driven by noisy lo-fi productions, dirty acid synthesizers and gritty electro. He is also co-founder of the music and art collective Abyss, which is showcasing djs, live acts, light- & video-artists on a regular base at ://about blank in Berlin.

In 2015 these two close friends decided they needed a label for their productions and founded the label TERMINAL OPERATIONS. In 2016 they joined the Killekill roster.

Originally from Poland Monya has been based in Berlin for over a decade now. With her uncompromising live sets she built herself a reputation quickly and has been playing since then all over the world.
In 2013 she released her first album and in 2014 she started her own label ‚Corresponding Positions‘, where she releases her own music but also constantly supports new faces to the scene by putting out their fresh and powerful sounds. For her own productions it’s obvious that her biggest passion is industrial techno, although she never sticks to one particular style, but loves to try out different approaches and experiment with sounds. With her enthusiasm for electronic music she continuously learns and grows every day. Support for her music came from producers like Perc, Bas Mooy, Rebekah, Steve Stoll, Jeroen Search, Mike Parker and many more. Stay tuned!

SEBASTIAN KOEKOW stands for techno in its purest form. Not only is he part of the more than legendary video crew The29NovFilms, which is responsible for over 5000 videos accompanying tracks of more or less anybody with a standing in the techno scene, but also is he a dj who has developped a reputation in Berlin’s underground with his raw and intense techno sets which are heavily influenced by his love for industrial and EBM.

The 29novfilms is a duo of video artists, that has been making videos for almost every single relevant techno artist releasing in the last years.
They work with found footage mostly and are known for their extraordinary sensitivity in what to pick for a certain sound and how to use it. They are an instant part of all Killekill work regarding labels and events and can be booked as visual artists.

Tigerhead’s musical cognition was long and comprehensive, started almost fifteen years ago in her Czech little hometown where she was at first influenced by a massive punk-avandgarde movement spreading all over her country. With a dash of temperament it took no long to get under this scene’s skin, explore all the impulses and create her own musical projects. First were in her early teenage period, where she’s a singer, songwriter and an occasional guitarist, inspired by several industrial bands. Further she continues over Dada-influenced performance shows as she’s a student of painting and contemporary art. By the time she tries to unite sound with a visual art. The connection with music and fine arts was always her main subject.
Through her focus on avantgarde she dives into a lot of experimental bands mainly created in Berlin as a protest against the political situation. As the regime was a long-lasting issue afflicting her country, that is among many other mainly artistic reasons were her strong connection to the German capital stems from.
At the year of 2010 through her main musical inspirations and experiences she collected, her biggest passion was discovered and aimed to an electronic music. There was a little step to get devoured by collecting records, especially of an old detroit techno and acid. The need to speak through artistic language led her to create her first electronic music compositions, using a lot of industrial sounds as an early influence. She also adds and uses her voice as an alternative instrument. In between she’s expanding her vinyl collection with many old techno treasures and learning the art of mixing. This gets her her first gigs in important clubs all over her homeland. This all was just a small step before moving to Berlin in 2012.
There she has all the initiative and freedom to explore the electronic music scene and history and slowly become a part of it.
Her sets and musical expression is known for wildness and audacity also it’s rawness, sharp and no fear attitude. They’re surprising as much as Tigerhead’s personality is.
All this get’s her to play in Berlin’s and internationally most influential techno clubs such as //:about blank, Arena or Griessmuehle.
It is the year 2017, in her early twenties, already known as a strong persona who exactly knows where to lead musically she fully focuses on a music production of her first EP.
She also joins Berlin based established KILLEKILL which exactly defines her musically.
Tereza R. aka Tigerhead is someone who’s going to provide you through the night with unexpected, who’s gonna let you flow on a smooth mellow minimal sounds when suddenly intervene with sharp acid, which stays in your head and spread around long time after the show. She simply won’t let you calm.

The instinct, that’s a value that hits the world of electronic music. Knowing that one is going in the right direction, that what we do is just because it comes from itself. This could also be something obvious, a notion shared by everyone. Now it seems that just going with the winds of time is always a popular principle among current producers. Whatever, Umwelt has crossed so many eras that he doesn’t care about the news. For over twenty years, he broadcasts and produces only the sound that resembles him. Hailing from Lyon fruitful rave scene of the 90’s, Umwelt never let out of his way by the gleaming neon lights of the compromise. Tracing its way under the Techno Rave and Electro patronage of Drexciya, and armed with its analogs machines for friends only, the French was careful enough not to kill the fire of the first men. Umwelt continues indeed the work of pioneers, namely producing a fashion wild transportation, direct, able to take the listener into the underground worlds as well as the infinite space. Owner of two labels (New Flesh and Rave Or Die), author of three albums and twenty EP’s on infamous labels such like Shipwrec, Satamile, Drivecom or Kommando 6, the producer never took a rest and has always followed his instinctive prescription: to create again and again, not by desire but by need. Umwelt is rare, his music is unique.